Monday, April 30, 2007

Patty Dukes


Patty Dukes
Originally uploaded by Nuevo Latino Life.

'I Love My Money'


'I Love My Money'
Originally uploaded by Nuevo Latino Life.

Featured artist

Patty Dukes Puts Up Her Dukes for Art

By Robert Waddell
A strong Latina poet and self-described "hip-hop head," Patty Dukes remembers she put up her dukes to get where she is today.

Patty Dukes, whose real name is Patricia Marte, recalled a fist smashed into her right arm, shocking her with bone rattling pain. Feeling stunned and frustrated, she left El Puente in Brooklyn, but she then bumped into Lemmon, the guy who had just hit her, outside on the street. She came up behind him and smashed him on the head with a fist.

According to Dukes, he said, “‘Who do you think you are Patty? Put up your Dukes.’”

And, the name stuck. Patricia Marte became Patty Dukes. That was 10 years ago.

Dukes said she later learned that Lemmon, a poet who became her mentor, hit her as a way of getting her out of her shy shell and it worked.

While in high school, Dukes recalls meeting poets like Lemmon, who would win a Tony Award for Def Poetry Jam on Broadway, the group Universes, La Bruja and Mariposa.

Although she felt as an outsider, she discovered she also was a poet, an emcee, a hip-hop fanatic and an actress.

Recently, Dukes showcased her poetry at the Puerto Rican Traveling Theater in New York City with a lineup of Latina poets that included La Bruja and Mariposa. She has also performed at SOBs. She’s now working on a CD and will appear in Danny Hoch’s latest play “Til the Break of Dawn.”

Dukes was born to Dominican parents in Puerto Rico and was raised near Yankee Stadium in the Bronx. She attended Hunter College and now works as a poet in schools.

Dukes represents the mix of Dominican and New York cultures as well as the hip-hop and poetry scene. She offers a whirlwind of sexy intellectualism, hip hop savvy and spoken word awakening.

She credits poets like Reg E. Gaines and Piri Thomas for their inspiration. One of Dukes’s poems harkens to a Gaines poem about someone getting killed for their sneakers. The poem is socially and politically relevant.

“The poem was written for the 80s; those issues are still going on today,” Dukes said. “As far as consumerism and keeping up with the Joneses, the products may have changed...I had to tell this story with a more modern twist. This is my re-mix.”

Dukes sees a strong connection between poetry and hip-hop.

“I’ve taken a lot of risks,” Dukes said. “I didn’t realize that being an artist you could be sustainable...An MC moves the crowd, a rapper is someone who can rhyme. A lyricist is someone who can rhyme but put some heavy lyrical content….at the end of the day to be a good lyricist you have to be a poet.”

Poetry has had to go beyond the academic setting...poetry needed to be infused with hip hop-isms, she said.

“I need that performance element and that mixture of poetry and the content of words,” Dukes said. “I need to get their eye contact; I need to feel what they’re saying…I want to feel you and I want you to move me and by nature that is hip-hop.”

One experience that helped Dukes understand that she was part of the hip-hop poetry and theater movement was when she wrote a play about women in prison and presented it to her professor and class. She said they just didn’t get it. They didn’t understand the nature of Dukes' words and where her ideas were coming from.

That inspired her to go on the road, perform and become a hip-hop dramatist.

Although painful, Dukes is grateful for that punch in the arm that Lemmon gave her years ago because it helped bring her out of her shell and gave her a nickname that has stuck.

“You have to find where you connect to the world,” Dukes said. “If you don’t find that first connection, you’re not going to open up.”

Robert Waddell is a freelance journalist based in the Bronx who contributes his writings to the Puerto Rico Sun.

Friday, April 27, 2007

Community Calendar

BRONXNET & Hostos Center for Arts & Culture
Invite you to a free sneak preview screening of a docu-concert

Featuring the BOMPLENAZO FEELING BOMBA Y PLENA
(Puerto Rican coastal folk music and dance rooted in African Culture)

*Wednesday, May 2, 6 p.m.
at Hostos' Repertoire Theater
450 Grand Concourse, Bronx

*COME EXPERIENCE THE VIBRANT SONG, DANCE AND DRUMS OF AN ART FORM THAT TELLS THE STORIES OF PEOPLE IN THEIR COMMUNITIES THROUGH PERFORMANCE*

Admission with free ticket

*Info & tickets: 718-518-4455*

source: Bronxnet
Community Calendar

The National Institute for Latino Policy
invites you to a roundtable

The State of Puerto Rican
Politics in New York City

A Conversation based on
José Ramón Sánchez' new book, Boricua Power:
A Political History of Puerto Ricans in the United States

Tuesday, May 15, 2007
6:15pm
NYUWagner
The Puck Building
2nd Floor Conference Room
295 Lafayette Street (and Houston Street), New York, NY 10012-9604
(B,D,F,V to Broadway-Lafayette, N,R,W to Prince Street, 6 to Bleecker Street)

Roundtable Participants
Alicia Cardona
Author, Rambling on Random Thoughts and New York Puerto Rican Women Achievers

Arlene Davila
Professor, Anthropology, Social and Cultural Analysis (American Studies),
New York University: author, Barrio Dreams: Puerto Ricans, Latinos and the
Neoliberal City; Latinos, Inc.: The Marketing and Making of a People; and Sponsored
Identities: Cultural Politics in Puerto Rico

David Diaz
Distinguished Lecturer in Media & Politics, City College (CUNY); formerly
senior correspondent and anchor on WCBS and WNBC-TV

José A. García
Senior Research and Policy Associate, Demos: A Network for Ideas
and Action; and author, East Coast Latino Voting Rights Act Reauthorization Manual

Mickey Melendez
Author, We Took the Streets: Fighting for Latino Rights with the Young Lords

Councilmember Melissa Mark Viverito
Democrat representing District 8

Joseph Wiscovitch
President, Wiscovitch Associates

José Ramón Sánchez
Associate Professor of Political Science and Chair of Urban Studies,
Long Island University-Brooklyn Campus

Moderator
Angelo Falcón
President and Co-Founder, National Institute for Latino Policy; and
author, Atlas of Stateside Puerto Ricans, and co-editor, Boricuas in Gotham:
Puerto Ricans in the Making of Modern New York City

Co-sponsored by the
Women of Color Policy Network at NYUWagner

RSVP with 212-334-5722 or wlamour@nlcatp. org


Boricua Power: A Political History of Puerto Ricans in the United States,
by José Ramón Sánchez (New York: New York University Press, 2007)

www.nyupress .org/books/ Boricua_Power- products_ id-4973.html

Wednesday, April 25, 2007

Film

Watch trailer of Jennifer Lopez and Marc Anthony in "El Cantante."

www.movies.yahoo.com/feature/elcantante.html
Featured story

P.R. statehood debate gathers force
By Jeff Patch

The District of Columbia may be a step closer to statehood as the House voted last week to give D.C. a voting member in the House, but another battle over statehood -- one that has lingered for more than a century -- is emerging.

Capitol Hill is debating two proposals to determine the status of Puerto Rico, the Caribbean island that has been part of the United States since 1898. Although obscure, the issue could certainly affect perceptions among Puerto Rican voters, who represent a significant segment of the Hispanic vote.

For more, go to
www.politico.com/news/stories/0407/3680.html
Community Calendar

MACHETERO
Thursday, May 3rd

Taller Boricua, GaleriaCemi.com and Sery Colon present
BarrioCinema with the upcoming film screening…

MACHETERO

Post 9/11 definitions, ideas and notions of terrorism are challenged in this highly controversial and experimental film. Machetero is an allegorical narrative that follows French journalist Jean Dumont played by Isaach de Bankolé (The Keeper, Ghost Dog, Coffee and Cigarettes, Manderlay) to a New York prison where he interviews Pedro Taino a so called "Puerto Rican Terrorist" played by Not4Prophet (lead singer of the Puerto Punk band RICANSTRUCTION). Pedro is a self-described Machetero fighting to free Puerto Rico from the yoke of United States colonialism. He is obsessed with freedom, freedom for his country, his people and for himself. Jean questions Pedro about his decisions to use violence as a means to achieve that freedom. As Jean and Pedro speak, another story unfolds. A ghetto youth played by Kelvin Fernandez (in his first starring role) grows up in the ghetto streets and crosses paths with Pedro. Pedro sees potential in the ghetto youth and reawakens a revolutionary spirit instilled in from childhood by a mentor in Puerto Rico played by former Puerto Rican Prisoner of War Dylcia Pagan (who did 20 years in US prisons). Pedro tries to provide the means for the ghetto youth to grow into the next generation of Machetero.
The film is structured around songs from the album, “Liberation Day” written and performed by RICANSTRUCTION. The songs are interwoven into the film as a narrative voice. RICANSTRUCTION also provides an original improvised score that moves from hardcore be-bop punk to layered haunting and abstract Afro-Rican rhythms.

MACHETERO
was written, edited and directed by Vagabond.

Thursday, May 3, 2007 @ 7:00PM
Julia de Burgos Theater at 1680 Lexington Ave., at 106th St., NYC
For more info go to www.barriocinema.com

Friday, April 20, 2007

'She's Like the Wind'

Puerto Rico Sun received a courtesy copy of Lumidee's new CD. She teamed up with Tony Sunshine to sing one of my favorite songs from back in the day: "She's Like the Wind" from the "Dirty Dancing" days. Lumidee, a Puerto Rican R&B rapper and singer, gives this old song her special touch, making it her own.

Here is an article "Spanglish Magazine" recently did on Lumidee.

http://www.spanglishmagazine.com/lumidee.html

Buena suerte.
Community Calendar

Havana Film Festival @ Centro
April 24, 5 pm
Ida K. Lang Recital Hall -Hunter College- North 4th Floor, NYC

Film: "Ladrones y Mentirosos"
Producer Poli Marichal will be present for Q & A moderated by Prof. Joelle Gonzalez-Laguer, (Film Department, Hunter College )

For more information on the Havana Film Festival: www.hffny.com

source: Centro